Clad head-to-toe in studded black leather and featuring a thundering rhythm section, a dynamic twin-guitar assault and one of the purest rock vocalists in music history, it simply doesn’t get any more ‘metal’ than Judas Priest. And the man behind many of the band’s greatest riffs and solos is guitarist Glenn Tipton (b. 1947). Born in Blackheath, England ...
(Vocal/instrumental group, 1969–present) This Birmingham heavy metal outfit, led by vocalist Rob Halford, first charted with Sin After Sin in 1977. British Steel (1980) consolidated their position as one of the leading bands in the New Wave of British Heavy Metal. Their lyrics littered with Satanic imagery, the band were unsuccessfully sued in 1985 by parents of ...
With the exception of Judas Priest, no metal band has been more influential than Iron Maiden. And it is no coincidence that Maiden first took flight when guitarist Adrian Smith joined the band one month into recording their second album, Killers, in 1981. Adrian Frederik ‘H’ Smith was born in Hackney, East London, in February 1957. ...
(Singer-songwriter, b. 1949) New Yorker William Martin Joel released his first solo album in 1972, and broke into the US Top 30 with his second set, Piano Man, in 1975. The quality of his classic pop rock songwriting and equal skill with a ballad was obvious, and ‘Just The Way You Are’ became his first major ...
In his 40-year career as an award-winning songwriter, guitarist and musician’s musician, Richard Thompson (b. 1949) has won fans for his work as an original member of Fairport Convention, as part of a duo with former wife Linda Thompson and as a solo artist. His songs have been recorded by Bonnie Raitt, Elvis Costello, Emmylou Harris ...
The term ‘heavy metal’ came from the controversial US Beat Movement novel, Naked Lunch, in which the author, William Burroughs, talked about ‘heavy metal thunder’. This phrase was used in Steppenwolf’s 1968 single ‘Born To Be Wild’, and helped christen an emerging sub-genre of hard rock. The origins of heavy metal are heard in the hard rock ...
This was a decade when the impact of dance culture on rock and vice versa sometimes led to exciting results: it opened with ‘Thriller’ and closed with the Madchester scene of Happy Mondays. Punk had subsided to become the less threatening new wave movement, which, along with the new romantics, dominated the early days of the decade. As ...
It was Louis Armstrong (or Leadbelly, depending on whom you believe) who came up with the famous final word on the definition of folk music: ‘It’s ALL folk music … I ain’t never heard no horse sing.…’ The quote has been repeated ad nauseam throughout the years, but it has not prevented strenuous debate about the meaning of ...
More sophisticated diplomatic relations between states in the late Baroque era resulted in a time of relative peace – for a short period at least – during which the arts flourished. As in the Renaissance and early Baroque eras, writers, artists and musicians turned to the classical antiquity of Greece and Rome for their standards and their inspiration. At ...
Aida, set in Ancient Egypt, was not composed to celebrate the opening of the Suez Canal in 1869, as has often been suggested. Nor was it commissioned by the Khedive of Egypt to mark the opening of the Cairo Opera House that same year. It happened that the French Egyptologist, Auguste Mariette, keeper of monuments to ...
Triumphantly premiered in Vienna’s Burgtheater on 26 December 1767, Alceste was the second of the three collaborations between Gluck and Calzabigi. Today it is probably more famous for the reforming manifesto of its preface than for its magnificent music. Like Orfeo, Alceste cultivates Gluck’s ideal of noble simplicity, with the whole opera based essentially on a single situation ...
Although ostensibly ‘English’, Dido and Aeneas owes its ancestry to Italian and French operatic influences. Although the recitatives follow the rhythms and inflexions of the English language, they were clearly modelled on Italian monody. Purcell followed the already established tradition of taking the plots of operas from ancient myth and legend. This one came from ancient Rome, as the ...
‘The Magic Flute’ The librettist of Die Zauberflöte, Emanuel Schikaneder, Mozart’s old friend and fellow freemason, drew on an eclectic variety of sources, including a French novel, Sethos, Paul Wranitzky’s magic opera Oberon (1789) and the oriental fairy tale Lulu. In the bird catcher Papageno, Schikaneder created for himself a character that could exploit ...
Mozart had long admired the inspired synthesis of French and Italian opera in Gluck’s ‘reform’ works. His greatest opera seria, Idomeneo, premiered in Munich on 29 January 1781, draws much from Gluck, especially the hieratic scenes of Alceste (another opera concerned with human sacrifice). Yet its harmonic daring, orchestral richness and lyrical expansiveness are entirely Mozart’s ...
‘Fair Helen’ Composed: 1864 Premiered: 1864, Paris Libretto by Henri Meilhac and Ludovic Halévy Act I Since Pâris awarded Vénus the golden apple, her cult has become more popular than Jupiter’s. Hélène, wife of King Ménélas of Sparta, is waiting for Pâris to come and claim her. Disguised as a shepherd, Pâris enlists the help of ...
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David Bowie
Fantastic new, unofficial biography covers
his life, music, art and movies, with a
sweep of incredible photographs.